Secret Liverpool Part 2

In Part 1 I detailed some of the more unusual and less well known sights in the centre of the city around the original seven streets. In this post we venture a little further afield but still in and around the city centre and very walkable from place to place.

Lime Street Station. Many visitors to the city arrive at its main railway station but few are aware of art to be found on the station steps and glass panels. “Liverpool to Liverpool – Chronicles of an Aimless Journey” by Simon Faithfull was commissioned as part of the Liverpool Biennial in 2010 and consists of 181 drawings with have been etched into the paving and glass panels. They are not easy to see from a distance but it is well worth a wander to see how many you can spot.

A short walk along Lime Street brings you to the old Lewis’s Department Store. Although it closed for business in 2007 locals still arrange to meet there. Above the main entrance on Ranleagh Street is a statue and three relief panels by the renowned sculptor Jacob Epstein. Its official title is Liverpool Resurgent and represents the rebuilding of the city following the damage sustained in the second world war. The statue of a naked man on the prow of a ship is known locally as Dickie Lewis and has become a celebrated landmark. It has been a popular meeting place for courting couples since it was installed in 1956.

From Lewis’s head up Mount Pleasant unto you reach Rodney Street and the old Scottish Presbyterian Church of Saint Andrew. In the adjacent churchyard is the Tomb of William MacKenzie. Constructed in the shape of a pyramid it is perhaps the most unusual tomb in the city. Local folklore suggests that William, who died in 1851, was a keen gambler and left instructions that he was to be entombed above ground sitting at a card table. Sadly this seems very unlikely as the tomb itself wasn’t constructed until 17 years after he was buried. It does however make for a nice story.

Close by is Oldham Place where the walls are covered in brightly painted murals. If you have an interest in street art it is well worth a visit. Do also take in the yard at the bottom of the street.

Heading back down into the Liverpool One shopping area there is an American Eagle on the former US Consulate building in Paradise Street. The consulate opened in 1790 when Liverpool was a major trading port for ships from the United States. The eagle was easily recognised by American sailors, many of whom could not read or write. As trade declined following the second world war the consulate closed but the eagle remained. Originally carved from pine it required frequent maintenance and renovation so was eventually removed, restored and put on display in the Museum of Liverpool. The bird on Paradise Street today is a fibreglass replica but is no less striking.

Old Dock. The Old Dock was the first wet dock in Liverpool built in the early part of the eighteenth century by Thomas Steers. As Liverpool grew as a port the dock became too small and was eventually closed in 1826. The site was filled in and redeveloped and finally ended up as a multi storey car park which was finally demolished as part of the Liverpool One development in 2001. The dock was unearthed and a viewing window created which is located just outside the John Lewis department store.

Lusitania Propeller. The Lusitania was a passenger liner owned by Cunard which regularly sailed between Liverpool and New York. She was sunk by a torpedo from German U-boat in May 1915 just off the southern coast of Ireland as she was returning to Liverpool. The propellor on display in the Royal Albert Dock was salvaged from the wreck in 1982 and is one of four that were on the ship.

Secret Liverpool Part 1

I am a great fan of travel guides and usually have one for each trip we take. For me they are essential in planning a trip and making sure you get the best out of the time you have available and see all the major sights. What they don’t always do is let you explore deeper into a city and take you to the curiosities, the secret places and the downright strange. For that you need local knowledge and its here that the internet and travel blogs can sometimes be most useful.

Many visitors to Liverpool will do something Beatle related, may visit one or both cathedrals, spend time in one or more of the excellent museums and may even travel to see the two famous football grounds. In doing many of these things they may pass some of the equally interesting aspects of the city that are rarely in the guide books. This post looks at some of them. Try to take in some as part of your stay in the city.

Night and Day. The Georges Dock Building and ventilation system can be found behind The Port of Liverpool Building at Pier Head. It is often overlooked yet it is close to the Three Graces and is certainly well worth a few minutes of your time. Built in the Art Deco style in the early 1930s it also houses a ventilation shaft for the Birkenhead Tunnel which was opened in 1934 but its hidden gems are round the back of the building on Georges Dockway. A pair of black basalt statues by Edmund C Thompson entitled Night and Day.

Night
Day

 Big Cats. A short walk from the two statues is the site of the former Bank of Liverpool building (7 Water Street) which dates from 1899 and is Grade II listed. What is remarkable here are the entrance doors, each has the bronze head of a big cat. Are they lions, tigers, panthers? There seems to be some debate but what is not in question is how good they are and yet easily missed.

Martins Bank. The old Martins Bank building is also on Water Street but the real interest is on the side of the building on Exchange Street West. Here you will find a small plaque on the wall. During the Second World War most of the countries gold reserves were moved out of London and put into the vaults of Martins Bank.

The Seven Streets. Liverpool can trace its origins back to 1207. It its beginnings it consisted of just seven streets which still remain today though names have changed in some cases. Castle St, Bank St (now Water St), Chapel St, Dale St, Juggler St (now High St), Moor St (now Tithebarn St), and Whiteacre St (now Old Hall St). The streets are marked with a plaque. The one for Castle Street is on the eastern side of the street nearest to Derby Square.

The Sanctuary Stone. A short walk from Water Street brings you to Castle Street. This was the location of the old medieval market and the boundary is marked by the Sanctuary Stone embedded in the pavement on the western side of the street. Medieval markets and fairs had their own rules and laws and were quite separate from those of the town. An individual being sought for breaking laws or owing money in the town could seek sanctuary in the market and so the boundaries of markets were marked with stones.

Queens Avenue. Queen Avenue on the eastern side of Castle Street looks, at first glance, like the entrance to a Victorian shopping arcade. However looks can be deceiving and you find yourself here looking down one of the most picturesque streets in the whole of the city and one so often missed by visitors. It is home to a small gallery and a rather fine wine shop.

Maltese Cross. Church Street is one of the major shopping streets in the city. On the pavement just outside Top Shop is a brass Maltese cross. It marks the location of the alter of St Peters Church which was built in 1700 and demolished in 1922. It gives the street its name.

Bluecoat Garden. Running from Church Street is Church Alley which leads to the magnificent Bluecoat Chambers. A Grade I listed building built in 1717 it was originally a school but is now an arts centre. The garden is to be found in the courtyard at the back of the building and it is an area of peace and tranquility in the heart of the city. It is a great stopping off point and if the weather is nice a good place to sit and enjoy a coffee.

Bunch Spring Tasting

One of the great things I like about Bunch Natural Wine Bar on Berry Street in Liverpool is that there is always something different to try. It is a welcome challenge to step out of your comfort zone and give something new and unfamiliar a try. The beauty of wines by the glass is that you don’t have the financial commitment to the whole bottle so if a wine turns out not to be to your particular liking its not such a costly mistake. Not that I ever come across many that I don’t like, there are simply some I prefer, and all of the wines are worth the effort of getting to know even if the odd one just remains a casual acquaintance. The spring tasting, held in the shop last week, was another great example of the diversity of wines on offer and most of them are well worth getting to know better.

I Wish I Was a Ninja. Testalonga. PetNat. 2018 Swartland. South Africa. The more I drink the wines of Craig Hawkins the more I like them. Here is a producer that really is worthy of further investigation. This was a new wine to me and it is absolutely delicious. Made from 100% Columbard, it’s off dry with 25g/l residual sugar. Pear, apple and elderflower along with a gently carbonation and lovely texture. A well balanced and refreshing wine for the summer ahead.

Fruit Basket. Yetti & the Kokonut. 2018. Eden Valley. Australia. From a 95 year old block in South Australias Eden Valley which contains 13 different grape varieties I have enjoyed this wine on several previous occasions. Revealing something different with each sip, it is a fruit salad in a glass. Sadly it didn’t reveal its true beauty tonight but I won’t let that put me off as I know how good it can be!

Chinuri. Iago Bitarishvili, 2015. Kartil. Georgia. They have been making wine in Georgia for 8.000 years or so. This is traditionally made from the indigenous Chinuri grape variety. It is an orange wine made in clay pots called qvevri. The pot is filled with grapes, buried and left for 6 months before pressing and bottling. It produces a style of wine that can divide opinion as it did on the evening but in the hands of a producer such as Iago Bitarishvilli I can’t think of a better place to start exploring these wines. It is dry with flavours of orange and pear with a touch of dried herbs. There are tannins here but nothing too heavy and the finish is incredibly long.

Basis Nobody. Matthias Warnung. 2016 Kamptal. Austria. A field blend of 90% Gruner Veltliner and 10% Zweigelt. Whole bunches are placed in a large old wooden vat for ten days. The bunches are then pressed and the wine bottled with the addition of a minimal amount of sulphur. The result is a delicate and elegant style of rosé that got better and better with each sip. Dry with lovely strawberry fruit and a touch of fennel. A very appealing wine.

Jumping Juice Half Full Red. Patrick Sullivan. 2018. Victoria. Australia. Mainly Shiraz with the addition of some Semillon and Viognier, this is an incredibly delicious and drinkable wine. For all those that think Aussie Shiraz is only a big, bold wine try this. It is so juicy with bags of soft red fruits a lovely texture and a gentle touch of savouriness on the finish. Delightful.

Blaufrankisch. Nachbil. 2016. Transylvania. Romania. To finish a very easy drinking and not unpleasant red. This wine has black fruits and is savoury and smokey. A slight sweetness to the fruit, nicely textured and a long finish.